Review: The Mind Behind ‘Gilmore Girls’ Has Launched a New Show That Is Essential Viewing

      Growing up as a dancer, I might have viewed ballet classes as the worst part of my life (jazz and hip hop were much more thrilling), but that didn't prevent me from consuming any ballet content I could find. The high stakes of the elite ballet scene provided fertile ground for some of the best shows from the early 2010s. Programs like Dance Academy, Dance Moms (which definitely counts), and the standout dance drama Bunheads were constants in my home. I still recall the heartbreak I felt when Bunheads was canceled after just one season. So, when I learned that Bunheads creator Amy Sherman-Palladino was returning to the ballet world with a new series, Étoile, my adolescent heart soared, and I eagerly anticipated binge-watching it. Furthermore, upon discovering she also created perhaps the most beloved show among women, Gilmore Girls, I felt compelled to share whether we all should be streaming Étoile right away. Here’s my detailed review:

      **My review of Étoile**

      Étoile centers on two prestigious ballet companies, one in New York City and the other in Paris, as they exchange dancers to increase ticket sales and secure their futures. I anticipated the show would be a grittier, more serious version of Bunheads that explored the dark facets of a glamorous world, but I was quite mistaken. From the very first episode, every moment is infused with the trademark, quick-witted, fast-paced charm reminiscent of Gilmore Girls. You'll immediately recognize Sherman-Palladino’s distinctive style, making it a pure delight to watch. It combines the vivid color palette of The Marvelous Mrs. Maisel, the sharp dialogue of Gilmore Girls, and the lavish cityscapes of Gossip Girl into one spectacular production.

      The plots and performances can be quite exaggerated at times, but entering with the expectation of campiness enhances the overall experience. While the show does delve into some of ballet's harsher truths—such as the strain between dancers and board members concerning art versus profit, the sport's physical demands, and the complex dynamics within companies—it primarily maintains a light-hearted tone. I found myself laughing out loud on occasion (well, it was more like a single huff-exhale, but we all know that's practically a laugh when you're alone), and I binge-watched for so long that my TV had to check in to see if I was still there.

      That rapid pace and lighter mood don’t imply a lack of substance. There’s enough depth to keep viewers engaged with the characters and their development. We observe how the relentless quest for perfection impacts both dancers and choreographers, the isolation that can accompany a life devoted to dance, and several charming romance subplots that I can't wait to see unfold in the second season.

      “One standout element that sets Étoile apart from other dance dramas is the casting of real, professional dancers.”

      A notable feature that distinguishes Étoile from other dance dramas is the inclusion of genuine, professional dancers. While some stars do have dance doubles, the majority of those on screen are actual ballerinas—and it shows. Their presence adds authenticity, even in the most outlandish scenes. Regardless of how outrageous the storyline becomes, their talent keeps the show rooted in reality. Honestly, the dance sequences alone are worth watching; the level of skill displayed is astonishing.

      Fans of Gilmore Girls will also certainly enjoy spotting familiar faces in Étoile. We witness Yanic Truesdale portraying a character that could represent an alternate-universe storyline for Michel as he works for a ballet company in Paris, and Emily Gilmore (Kelly Bishop) takes on a very believable role as a wealthy socialite whose last name adorns the renowned ballet theater featured in the show. Although they’re playing new characters, seeing them again on screen brought a wave of nostalgic warmth to the series, infusing Étoile with the comforting essence that Gilmore Girls consistently provided.

      **Should you watch Étoile?**

      If you appreciate Amy Sherman-Palladino's previous creations, Étoile is definitely worthy of a spot on your watchlist. However, if you're looking for the next Black Swan or only enjoy dark, hyper-realistic dramas, this may not be for you. For everyone else, it’s a delightful experience. It was just the entertaining, colorful show I needed. Fortunately, it has already been renewed for a second season, and in the meantime, I’ll be looking for adult beginner ballet classes nearby.

      **ABOUT THE AUTHOR**

      Lauren Blue, Assistant Editor

      As an Assistant Editor for The Everygirl, Lauren develops and writes content covering all aspects of our readers’ lives. Her articles explore must-read books, movies, home tours, travel itineraries—and everything in between. When not experimenting with the latest TikTok trend, she can be found searching Goodreads for new releases to feature on the site.